5-minute trailer 

Description

ABSOLUTIONS: War and Moral Injury is an unflinching look at the psychological and spiritual aftermath of war, told with rare intimacy and intensity.

Through the courageous testimony of twenty-three veterans whose service spans the last sixty years of ‘forever wars’, ABSOLUTIONS introduces and illuminates moral injury—the devastating effect that arises when one’s actions, or the actions of others, violate deeply held beliefs about right and wrong.

Their stories are framed by insights from therapists, chaplains, VA researchers and a neuroscientist, without becoming overly ‘educational’—illuminating a kind of trauma that is for the most part misdiagnosed, misunderstood, and left untreated.

ABSOLUTIONS draws viewers into the veterans’ interior landscape through extremely intimate testimonials, moments of ritual and healing, and a visual language shaped by restraint and reflection. The result is a profound and distressing glimpse into the experience of war, about which the civilians who send them there are mostly ignorant. 

At a time when U.S. foreign policy is setting up a new generation of service members for a lifetime of invisible wounds—while the legacy of Vietnam, Iraq and Afghanistan still haunts many of the millions of veterans who served there—this film explores and reveals what happens when war doesn’t end for those who’ve fought it.

For veterans, the film offers recognition, understanding, and pathways toward healing. For families, it provides insight into the harsh and debilitating struggles their loved ones carry. For the broader public, it challenges familiar narratives of war and trauma, expanding the conversation beyond PTSD to include the profound human consequences of conflict.

An average of seventeen veterans a day are killing themselves, according to the VA. ABSOLUTIONS brings their invisible moral injuries into focus—with an urgency to affirm, to inform, and ultimately, to save lives.

Impact Distribution Plan

In addition to a general audience, including service members and their families, we are targeting veterans’ organizations—of which there are more than 50,000 in the United States—as well as universities, healthcare providers, support groups, public libraries, and faith based organizations.

At screenings nationwide, the film is introduced by veterans, therapists, chaplains, and other moral injury experts, who facilitate an extended discussion afterwards and provide other resources.

More information about the distribution plan is available from the filmmakers.

Funding the Campaign

Please contribute to support our impact distribution campaign so that this film gets out to the people who need to see it: veterans, their families, clinicians and caregivers, chaplains and clergy, policy makers and the general public.

Since 1981, The Center for Independent Documentary has helped launch hundreds of documentary films. Contributing to the film through CID makes the donation tax deductible.

Checks sent to the address below will not be subject to the 3% card charge.

Team

PRODUCER / DIRECTOR / CAMERA / EDITOR / MUSIC
Scott Sinkler

CONSULTING PRODUCERS
Steven Lawrence
Catie Foertsch

LEAD MORAL INJURY ADVISOR
Rebeccah Bernard, PsyD
Clinical Psychotherapist

LEAD MILITARY ADVISOR
Terry Finley
Army Special Forces Master Sergeant (Ret)
BOSNIA / KOSOVO / IRAQ
1991-2014

LEAD SCIENCE ADVISOR
Negar Fani, PhD
Clinical Neuropsychologist
Associate Professor of Psychiatry
Emory University

DISTRIBUTION ADVISORS
Caitlin Boyle
Wendy Lobel
Jan Rofekamp

DISTRIBUTION DEVELOPMENT
Lyndsey Barratt

TRAILER EDITOR
Tom Patterson

Director’s bio

Scott Sinkler is an Emmy award-winning producer / director, director of photography and editor with more than thirty years of experience.

His most recent effort is as co-producer and director of photography of Anxiety Club, about comedians with anxiety disorders, which premiered last fall at the prestigious DOC NYC film festival, and has since been invited to more than 40 film festivals worldwide. It can be seen now on Amazon Prime Video, Apple TV, YouTube, Google Play and Punchup.

Sinkler served as director of photography for Netflix’ 5-part series Turning Point: 9/11 and the War on Terror and Katie Couric’s Fed Up, as well as PBS’s Ice Warriors and series such as Wide Angle, The Tony Awards, Egg: The Arts Show, WNET’s City Arts & City Life, and Bloomberg Television’s series Muse, Game Changers, Risk Takers and Innovators. He spent six weeks in Vietnam, and contributed to the film The People Vs. Agent Orange.

In the 1980s Sinkler produced and directed the documentary Inside Life Outside, which chronicled the lives of a group of homeless people living in a shantytown on New York’s Lower East Side over a two and a half year period. That film was selected for the 1989 Whitney Biennial and is in the permanent collection of the Museum of Modern Art. Sinkler’s films have won many awards at international film festivals, have aired on US and foreign TV networks and have been rented and purchased by hundreds of universities, libraries and organizations. 

He has produced and directed arts programs, corporate media, as well as commercials and promotional materials for Broadway shows, including Russell Simmons Def Poetry Jam on Broadway, Movin’ Out, Thou Shalt Not, Gypsy, and the Tony Award-winning Contact.

He has written for books and magazines on documentary filmmaking and has given master classes in documentary cinematography at New York University.

Film’s Genesis

I've been thinking about this film for about 20 years, since I read a profile of a VA hospice nurse who helped Vietnam veterans get something off their chests at the end of their lives. She described an immediate transformation that not only changed their outlook, but improved their relationships before they died. I decided that veterans from that war as well as those since then deserved to have the same experience before it was too late. That is where this film comes from. 

Contact / Stay in touch